With the exception of Shepard, the hosts bring an ambient awkwardness to each interview, as if they too know that the world doesn’t need their show.
Bad Batch deserves credit for bringing the medical malfeasance genre to a new place.
Over the past several years, a number of podcast festivals have joined the Third Coast Conference in bringing hosts, producers, and engineers together.
The Clearing seeks to piece together a number of investigations into a coherent understanding of Ed Edwards’s crimes.
We asked Phoebe Judge, Lauren Spohrer, and Nadia Wilson about the evolution of their reporting.
The Shink Next Door is a twisty-turny thriller that stays engaging because of its hyper-focus on the two men at its center.
The seven-part series is a playground for Michael Lewis’s relentless curiosity. The show delivers, like his projects always do.
The show goes to great lengths to make its audio immersive, but the precision of a helicopter’s whir or a baby’s cry doesn’t inherently make a podcast go.
At this year's On Air Fest, hosts and producers of popular podcasts were joined by audio archivists, ambient musicians, and video creators.
The hit podcast from ABC Radio and TV’s Nightline bears its DNA in its storytelling, which sticks to the reporting and forgoes any editorializing.
The show is smart to focus on its straight reporting, letting the terrible drama of the case take priority over style.
NPR's Rough Translation considers what makes reporters curious in the stories they spend years chasing in the first place.
